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It is one of the most salacious images in the history of art: deep underwater, a gigantic pink octopus drags a naked young woman into a cleft between two rocks. As his coiling tentacles slither over her blemish-free body, caressing a nipple and encircling her nubile legs, this unlikely molluscoid lover pleasures his prostrate captive, who throws back her head in ecstasy while a second, smaller octopus plants a tender kiss upon her mouth.

To modern eyes, it may look like a piece of titillating filth. A spellbinding, exhilarating and often eye-popping exhibition, Sex and Pleasure in Japanese Art , collating more than works of shunga, opens this week at the British Museum in London. But this is sexually explicit art, not pornography, produced to exactly the same technical perfection as art in other formats by the same people.

Hokusai was expecting a comic response. When considering shunga, it is important to shed censorious attitudes towards sexuality that have been a fundamental part of western Christian culture for so long. Although printed shunga was officially illegal in Japan after , it was widely tolerated — indeed, during the three centuries of its popularity many thousands of images were produced in a variety of formats: multi-volume books, bound albums sometimes exchanged as wedding gifts, painted handscrolls, and sets of small-format prints possibly sold in wrappers.

Shunga could be sensuous and comic, but it was rarely violent or exploitative. Most shunga depicts vigorous heterosexual couples in mutual bliss — and these prints were likely cherished by men and women, both young and old, from different strata of society, including samurai lords as well as prosperous merchants and commoners. The golden age of shunga coincided with technical advances in printing around and lasted into the early 19th Century.

In much shunga, the protagonists have meticulously rendered and enlarged genitals — but the effect is rarely grotesque. Instead, shunga artists create swirling compositions to reflect the frenzied ardour of lovemaking, and play with pleasing contrasts between bare flesh and gorgeous, beautifully patterned textiles. If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter.

British Museum.

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